About Us

About Us

The Grey Hill was founded by Barry Robertson, an entrepreneur who founded Capall Dorcha Theatre Company.  After five years working in the sector, The Grey Hill was formed after a feasibility study supported by Scottish Enterprise on the question 'What does theatre look like without a building'? In 2019 he worked in London with different media advisors on this plan, and the outcome was 'The Grey Hill' a multi-media theatre company.

The organisation has three primary customers Consumers, Creatives and Creative Businesses.

We work with Playwrights to take new and existing work and transform it into the digital market, making it available to international consumers.  We licence our content to venues, supporting their digital content for local audiences allowing more people to take part in theatre and making it more accessible to a broader audience. 

We support academia and have a working partnership with The Highlands and Islands University in which we support the creative industries departments allowing original writing and production to be supported through our organisation.

As an organisation, we have experience in producing theatre, publishing books and audiobooks as well as the distribution films and live theatre recording.

Our content is Scottish or UK based for international audiences and businesses to access our work.

Importantly when traditional theatre companies closed their doors during the pandemic we launched our company during it. 

Theatre needs to adapt to change and we are a company based in Scotland at the forefront of that new way of working.

 

Supporting 

Playwrights

Supporting

Theatre Venues

 
 

Launch Supporter

 

Company Advisors

Jen Topping

Creative Digital Consultant

Jen has over 16 years’ experience of business, commercial and editorial management for TV broadcasters, publishers, games and tech companies. 

She specialises in strategy and management of digital content propositions for traditional media businesses covering P&L management, editorial and creative leadership, strategy definition and implementation, commercial planning, complex partnership management, talent development, operational and cultural change. Jen is also experienced in business development and defining investment opportunities for growth.  

Her most recent role was EVP of Digital for Beano Studios. Reporting to the CEO, Jen was responsible for defining and executing the strategy to build a global digital content network designed specifically for children. 

She is an MBA graduate with a background in BBC journalism. Jen was vice-chair of BIMA from 2013 to 2016, the trade body for the British digital industry.

 
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Marketing Executive

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Lesley Anne Rose

Theatre Producer

Lesley Anne has worked in the cultural sector across various regions of the UK for over two decades. Most recently as Director of Creative Development at the Traverse, Scotland’s new writing theatre, where she leads on environmental, digital, talent development and community engagement strategies.

 

Lesley Anne also runs her own producing company, Open Road, through which she produces new work inspired by real-life stories and histories. She is a Fellow of the Royal Society for the encouragement of Arts, Manufactures and Commerce, a member of Scottish Pen - a not-for-profit organisation which champions freedom of speech and literature across borders - and sits on the Board of Directors of Magnetic North Theatre Productions Ltd.

 

As a playwright, Lesley Anne has had work commissioned and produced in regional theatre, literature festivals and pub theatre. As a travel writer, her published and commissioned work includes guidebooks, articles and travel columns covering independent, off the beaten track travel and eco-tourism.

Mike Kelly 
F.C.A

Chartered Accountant

Mike trained and qualified as a Chartered Accountant with Price Waterhouse and worked as the Group Accountant for Thames Television PLC, F.D. of Majestic Films & TV, F.D. of British Screen Group, Head of Finance of the UK Film Council and V.P. Finance & Production E.M.E.A. & Asia for Warner Bros. before establishing Northern Alliance. In addition to his involvement in the financing, development, production or distribution of hundreds of titles ranging from ‘Shifty’ to ‘Harry Potter and the Philosopher's Stone’, Northern Alliance has provided business advice to clients as diverse as Aardman Animations, Royal And Derngate Theatres and Octopus Investments, the largest Enterprise Investment Scheme (EIS) provider in the UK. A NESTA creative business mentor, Mike has also helped deliver teaching, training and industry development programmes across the UK and overseas, including as a visiting lecturer at Cass Business School.

Jo Foreshaw

Audio Consultant

Jo is an expert in audio publishing with 20 years’ experience - from corporate to start-up, retail to publisher and agent. She has worked for HarperCollins, Bloomsbury, to name a few.  During this time, she has reinvented the medium, introducing new business models, increased product ranges and instigated new production processes to maximise efficiency.

As a consultant, Jo supports new publishers and traditional businesses to transform their digital distribution in the online market.  Jo has won Publisher of Audiobook of the Year at the National Book Awards in 2011 and 2014.  She has also chaired the Audio Publishing Association trade body for two years.

Jezz Vernon

Film Producer & Distributor

Jezz Vernon is a London based distribution, sales and production executive with over 15 years of experience within the film industry. He has been a member of the Film London board since 2015 and runs two production outfits – Port Royal London and Old Grog Films, as well as consulting on distribution and sales for the industry. He has also lectured at Bath Spa University, Met Film School and Norwich University of the Arts.

Over the years Jezz and his distribution teams have won more than 25 awards for marketing, design, PR and release strategy and he has been a mentor, lecturer and regular panellist for Film London, Film Agency Wales, EIFF talent lab, BFI, Screen Ireland, Creative Scotland and Creative England amongst others. He was also selected as a member of the BFI UK film delegation to Beijing in 2016.

Jezz has produced, co-produced and exec produced a highly profitable slate of films ranging from documentaries to narrative features. He is also a scriptwriter and experienced poster designer who’s designed and art directed hundreds of campaigns including multiple award winners. In 2015 his poster design for the feature film The Falling was featured in A Good Look - The Guardian’s monthly review of global pop culture visuals.

Oliver Tidman

Solicitor

Oliver is a solicitor and notary public (registered with the Foreign and Commonwealth Office), specialising in advising clients on contentious, commercial and advisory work across all intellectual property rights, including trademarks and passing off, designs, copyright and patents. He has advised clients from a variety of industry sectors, including high-end fashion brands, electronic musical device manufacturers, video game publishers, furniture and homeware designers, software development companies, food franchises and start-ups. He particularly enjoys helping clients protect and add value to their business.

Oliver’s commercial and advisory experience includes assisting with international licensing and sponsorship agreements, advising on brand clearance issues and drafting terms and conditions of use for various online products.

His contentious experience includes acting for clients in contested registry proceedings before the UK Intellectual Property Office (IPO), the Appointed Person and the EU IPO, including appeals to the General Court. Oliver also has experience acting for clients in litigation before the Intellectual Property Enterprise Court (IPEC) and the High Court in London.

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Our Mission

'The vision of The Grey Hill is to be one of the worlds leading theatre producers providing quality entertainment and information, using a diverse portfolio of brands to differentiate our content, services, and products for our audiences.  We want to develop the most creative and innovative and profitable theatre experiences and related products in the world'.

 
 
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Company Values

INNOVATION

Create theatre that encourages audience participation and reaches them in new ways. Promote collaboration, sharing of ideas that support traditional theatres and audiences that deliver financial returns to our company.

GROWTH

We strive for growth that benefits everyone that takes part in the company.  The more creatives that work with us, the more consumers that enjoy our content the more support for our long-term sustainability, that creates opportunities and benefits everyone.

REPUTATION

We are accountable for our responsibilities to support everyone in our wider community. From freelance artists to Theatre Venues to audiences that purchase our products. We strive to create theatre that is diverse and supportive that represents the masses and not the few. Becoming a force of good in the creation of theatre.

RELATIONSHIPS

We want to build and nurture our customers, associates, suppliers and our online community based on open and mutual benefits to each other.

COMMUNITY

We believe that theatre is the heart of community. Working internationally we create an inclusive and diverse community that supports arts participation. Making theatre accessible to all.

Fern Leaves

Environmental Policy

Scotland’s climate change legislation sets a target date for net-zero emissions of all greenhouse gases by 2045. To play our part in achieving this, we champion green planning for the projects we produce and manage, and the audience or participants journey to experience our work, ensuring a minimal carbon footprint across all activity.  

We are equally committed to telling the story of climate change and undertaking projects that address environmental issues and empower others as well. Partnerships are important to us and we work with individuals and organisations who are clear in their vision of a just transition to a net-zero emissions world operating under a green economy. 

We also undertake our own business continuity planning for the impacts of climate change on our organisation and the wider sectors we work with.

Here a few things we already do:  

  • We monitor and evaluate all staff journeys and encourage the use of public transport where possible. We encourage all those we work with to do the same.

  • Where possible we work with suppliers that have a robust environmental policy in place.

  • Any new equipment the company purchases is as energy-efficient as possible.

  • We invest in digital and online methods of communication. If we do produce print we use local printers and sustainable paper. Printed materials include an encouragement to recycle.

  • Where possible all old equipment and sets are repaired, reused, stored or recycled.

  • Encourage shared resources and knowledge across all areas.

  • Support attitudinal change.

  • We encourage all creative team members to source materials they use locally.

  • Do less, do it better and take time.

  • Consider well being a benchmark of success, not growth.

  • Look at budgets differently and consider social and environmental costs, not just financial ones.

  • Make sustainable choices the norm.

  • We bank with Starling - Ethics Statement.

  • Our IT is with Microsoft - Cooperate Social Responsibility.

  • Our Search Engine Provider is Ecosia - Planting Trees every search we make.

  • We are part of the Green Arts Initiative – an interactive community of Scottish arts organisations working to reduce their environmental impact.

 
 

Frequently Asked Questions

What is The Grey Hill?


Founded in 2020 by Barry Robertson The Grey Hill is a multimedia theatre company. We specialise in creating digital dramatisations of theatre plays. Our company was based on the question; What does theatre look like without a building? - Our work is an answer to that question.

We support playwrights by publishing their plays electronically and physical copies—licence performance rights. Produce audiobooks of the work and produce live theatre shows.




How much does The Grey Hill cost?


We create audiobooks, and our productions vary on price depending on platform and promotions. We also have our podcasts that are free to listen to and have an exclusive free membership that you can join—providing you with behind the scenes access, blogs, interviews and content that isn’t available to non members.




Where can I listen?


Listen anywhere, anytime; our content is available on multiple stores that you can subscribe, purchase, stream or download from. Our content is accessible on Android and Apple devices. From mobiles, tablets, smart speakers, we have you covered.




What can I listen to from The Grey Hill?


Theatre dramatisations are our speciality, based in Scotland; we work with a varied amount of playwrights across the United Kingdom and beyond to showcase new writing. Already produced theatre productions and The Grey Hill Originals that are short plays hand-picked that we think you will enjoy. If you are a lover of theatre then our flagship podcast Barry Robertson’s Insights gives you behind the scenes access to theatre, exclusive artist interviews and debates current news from the sector.